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WRITINGS

Green,  I drank it. Hate, it stood  (2025)

 

I have known dread.

It was a house built of brittle hands, neurotic minds, 

stacked high as if it’s looming could make it whole.

It caved inward slow as a last breath,

pressed me flat beneath the beams, wood splintered in my teeth,

a rotting cherry pit clenched in my fist.

 

I have known fear.

A thing that nested between the ribs,

slipped cold through the hollow of my throat.

It hummed soft as a struck match,

rose quick as a hand—

Strike, flinch, repent, but the clinging stayed. 

I woke with it, I slept with it,

a hush, a shudder that creeps and preys.

 

And jealousy—

jealousy is green.

Scheele’s green, absinthine green,

poison poured into porcelain cups.

All the ways I'll never be enough

Seeped deep into my bloodstream as,

I drank it. I drank it. 

It stained the cracks as it turned my insides new shades of verdant ruin.

 

And hate—oh, hate was easy.

Hate had hands, hate had abscessed teeth.

It was a dog at my heel, eager and wet-mouthed, bulging eyes, gleaming and stupid.

The repugnance of raw meat and uncontained violence— it cannot confuse itself for anything else.

It stood, it stood, it stood.

 

But joy? O joy—

Joy is the birth of something wet and wailing,

a thing so pink, so warm, so full of light—

until it withers in the cradle.

It sours from incessant heat like curdled milk,

it wrings itself empty and drips through the slats.

I held it once, I swear I did, but I must have choked it, clasped onto it too tightly

For it bled like a cut pear,

left nothing but the seed for next time. 

 

And love—

a word stretched thin as lace,

passes between hands until the edges fray.

I found it once in old photographs,

Profound and ancient, 

In lockets clasped, 

But it peeled away in the morning light,

a mirage, a dream, a flooded fleeting thing. 

 

~Yet dread remains where love has left,

a foundation built of hollow bone

And fear, once known, will never leave,

a damp that clings beneath the stone ~

 

I know it’s a shame—

to take a thing, so labyrinthine,

So dark and bare 

And wrap it in your heart strings

So you have no space for air,

 

But to watch it consume me

In all its glory, to lay me down 

and turn me out,

Climbing up and crawling through me

Sends me to a space devout,

 

Where I no longer 

see the space between, 

The borders of me, of it, of us,

I crave to dissipate, dissolve inside it,

To let it turn me into rot,

 

And by now, I do not fight.

 

I part my lips, let ruin in,

Let it press its mouth to mine,

Let it slip between my ribs,

Cast its thorns

Straight through my spine.

 

I bare my throat 

to the hands that made me,

spread myself, an altar wide

and whisper softly in its ear, 

I’ll lay down by your side.

 

I’ll move for you—

As puppets do

In hot ungodly ways,

Let you cast your sins on me

And use me for your play. 

 

I’ll let you fill 

My hollow husk 

With venom from your fangs,

Then I’ll bite for you and kill for you

And always take the blame. 

 

I fear the light 

The shrinking blight 

Because all good things must change.

Entropy, decay, and grief

Will always have their place. 

 

~~A wall with no cracks, a facade never worn, is closer to chaos than the neighbors it scorns,

 

and goodness is lukewarm and light. 

Fight or Flight (2024)

 

The wolf rose each day in a shifting skin,

A restless heart, a storm within.

With fire in his chest and embers to guide,

He hunted a truth where the unknown hides.

A restless seeker, sharp and lean,

He chased the shadows of things unseen.

But come the night, he’d sink to the ground,

A beast too weary to utter a sound.

 

Owl sat watching from her guarded perch,

Her feathers heavy with quiet concern.

She saw every fractured shade of him,

His howling fury, his courage dimmed.

Not echoes, reflections, or a hollow trace,

But multitudes within his face.

 

She circled low, her wings drawn wide,

And landed softly at his side.

The wolf turned, startled, his hackles raised—

But the owl only stared with her amber gaze.

“Your rage, your silence—I see them all.

I’m here for the climb, I’ll break your fall.”

 

And the wolf, for once, let his breath unbind,

Her voice a song to his restless mind.

Yet the fire within him began to stir—

A voice of fear, of losing her.

For trust to him was a perilous thing,

A chain, a trap, a dangerous string.

 

“I’ve seen the trap of a steady hand,”

He growled to her, “I can’t withstand,

The weight of care, the risk of grace—

It poses a burden I cannot take.”

But the owl replied with a quiet tongue,

“My wings are strong; I fear it none”

 

“I see you, Wolf, in the boughs and brambles,

In the fear that tangles, the flame that gambles.

I know the cost of a love this wide,

But my perch will hold, I will not hide.”

The wolf turned away, his heart a stone,

And muttered, “Some paths are better alone.”

 

But Owl, though hollowed, did not take flight—

She stayed through the dark of his longest night.

Through the storms, through the frost, through his silent reserve,

Through the weight of his conscience that hid him from her. 

Yet one dawn, as her feathers caught sun,

She found his shadow—and he was gone.

 

“Why flee from grace?” she called to the wind,

“Why leave the love I kept you in?”

But far on the ridge, the wolf had run,

Afraid of the pain that love had spun.

For the second she saw him, full and whole,

It scared the hell from his fragile soul.

 

And now, the owl perches alone in the pine,

Her wings folded tight, her talons entwined.

She still sees the wolf in the bend of the trees,

In the haunting sigh of the midnight breeze.

She saw him fully, the day he was born—

And though he is gone, she continues to mourn.

 

For love like hers does not dissolve;

It lingers, it burns, it aches, it evolves.

And somewhere the wolf runs far and wide 

But the owl remains with its feathers drawn tight.

Not because she cannot move on,

But because she vowed to always hold strong.

And Owl with her amber eyes aflame, 

Scribed stars for the land that the wild beast tamed. 

—-

Origin Storie (2024)

 

Sour fruit sloughed off the stem, 

My womb turns water into wine,

my sepia-toned tongue spin

Delirium-twisted vines

Labyrinthine tunnels braiding inward, 

Sacred//soul, barred thorny with spines

I recline on a muddy, mica-colored ground

That suspends my heavy body, above.

I shed my mantle, I am unbound. 

I find meaning in the madness, 

I caress the unknown, I find elemental stone

Apply pressure and time, 

//Thwarted desires//

Discipline yields diamonds in mines.

I am refined. I am the divine. 

I spin gold from stories sung, 

prick my finger and die. 

I get lost in the undertow, I lose meaning 

And at once, 

I’m back to the drawling board.

Channeled words spew out of me,

Sirens sing songs of renewal and death to me. 

Young and old all at once,

I dance with uncertainty, 

I flail ‘till I cannot breathe, 

I trip and I fall down a rabbit hole of make-believe. 

I am a waltz with ecstasy, I break bread with the deities,

Visions of Joanna, star-struck chords in the Pleiades. 

Time       moves        both       ways. 

I caress liminal space with my breadth. 

I am suspended in the in-between. 

I’ve lost all of my baby teeth. 

I am the divine// I am undefined// serpentine-mind, 

Three furies in one, 

Mutinous, Eumenides. 

Scheele’s Green  (2024)

 

He spoke to me in tender tones 

Still as stone, he filled my lungs

Molasses dripped from rounded vowels that 

Curled off from his tongue 

 

He took off with the love he lent me

Restless airborne thing,

His eyes were brown, his eyes were blue

He was never meant to keep

 

Leaden feet, sour fruit sinks, 

My mind feels sickened from blooming

Torn from the stem my form descends 

To spaces dark and looming

 

Run, rabbit, run…

 

Into the sweeping triptych landscapes, 

Facing towards the south

Where air stale as the dead moss hangs

Feels heavy in your mouth 

 

Lawless steps through choking bog,

The rushes sliced my shins

I crawled inside the dead live oaks that

Condemned me from within 

 

Where brackish water stings the wounds

From all the tallow that was shaved 

Sourced off the bone, marrow-plucked

To keep the shapeless flame 

 

The hounds are loose to sniff me out, 

From dolores vines that creep, 

Wasteland gothic paradise for those 

In endless sleep 

 

A fever dream, 

A dampening, 

A pollen-covered land, 

A sickened-struck madness 

That seeps into the heart of man

I tried to run as far from it 

As my heavy feet could cast, 

But caged through metal teeth 

My ankle tendons kept me clasped

 

Gorged on flesh from sockets slumping 

My home here now consumes me, 

My riddled-mind became the vines that

Haunt and braid above me

More beautiful than I ever felt 

In my hollow husk-like body, 

My monomyth memorialized 

In all its unbound glory. 

The Shadow’s Elegy (2025)

 

A shadow does not ask for a name.

It is not bound to the body, though it blooms from its edges.

It is the ache of what moves without being moved,

a soft rebellion against definition—

the unlit whisper that holds more truth

than the mouth that casts it.

 

To see an object is to conquer it.

To name it is to cleave its mystery,

reduce it to the tyranny of knowing.

But a shadow resists the net of your gaze.

It slips through fingers like sand,

like the memory of a hand once held,

gone before it could settle.

 

A house tries to be haunted;

a shadow is.

It does not adorn itself in artifice.

It bends with a grace the object cannot,

folding into the arms of the unseen,

its edges dissolving where light insists.

 

What is defined is instantly abandoned.

A place, an object, a feeling—

flattened by the weight of their own naming.

But the shadow remains

a hymn to what cannot be held,

a doorway left ajar for the infinite.

 

It moves not in spite of light,

but because of it.

An exquisitely quiet ghost,

it lingers only where the known cannot tread.

The beauty of a shadow is not in its being,

but in its refusal to become.

Cavity (2023)

​

He wanted to avoid the gnats, 

The kind that swarm around your mouth when you’re outside, walking, in the heavy air.

Fruit flies, or ones of that sort, that hover over too ripe, ripped from the vine, pomegranates in decay. 

Open your mouth. 

I wanted him to take me on. To take me in, to swallow me whole like the little-winged creatures that incessantly chip away at your patience. 

I wasn’t wanting, I was wavering. 

I so quickly shed my skin for fragile wings to seep inside something sweet. To get lost in someone else’s labyrinthine, cherry-pitted madness. And when his lips stayed clasped, I resorted to the space around. Trying to clutch on to fragments that were never there. 

You know, moths find homes in the strangest of places, but mostly in nostalgic crevices, like metaphors of staleness that still have feelings clinging on, taking ahold. 

I am not a pest. 

I do not need to be invited in through pursed lips, clenched jaws. I do not need to resort to respite in vacant spaces. I am not the gnat, the fly, or the moth. And although tempting, perhaps I am not the venomous spider either. Fangs that seep in and let blood are not prerequisites for divinity. 

What resembles a woman that no longer needs control, revenge, or solace, or even a witness to transcendence? 

Picture this, recite this: 

I am the cavity all seek solace in. I am after all, a womb made of flesh and blood, leaded with mercury and stardust. I create infinities fractaling out in multitudes while moments creep on in arbitrary parcels. I crawl up and through space, I rotten the fruit and drink its wine. I am what lends decay to turnover and rebirth. I carve, I weather, I rot, I ride. I am the void. I am the space between. The ever-changing, always constant, casting net. I am time. The equable, the inaudible, the subtle.i am a witness unto myself and that is all, that is everything. 

Carnal  (2020)​

​

Who am I, Darling
to deny you of your thrills
my baby teeth can't tear the meat 
from the bones of the prey that you kill. 
Lead the lambs to slaughter
kill the calf that cries
aubergine curdled blood 
attracts the hungry fly. 

Madonna (2020)

​​

Southern charm of

an angry white man

ego fat and buttered. 

His pain is unfelt and 

attention is held

at the fingertips of his own 

mother. 

Seven Demons Driven Out

(2020)

​

Residing in Plato's Cave

Indifference is a game we play

Judgement Day at Heaven's gate

Tugging on the strings of fate

Vision is a blessed sin

We break our bread and feed

The snake

Good old Mary Magdalene

Smiled wryly as she came.

The Descent (2024)

 

In a shadowed land of unknown depths

A winding river some call home

Carries the scent of Persephone’s quest

Of faded flowers and marrowed bones

Her fingers drudge the silted black 

Of petals rot, of flesh gone pale;

All death comes here to reside,

Caged beneath a shrouded veil.

 

Interscene- An endless shore appears

No sin but breadth without salvation 

Timelessness echoes their pitting fears

As they wait for eternity in damnation 

Narcissus sees his selfishness cast

In the black vastness of his own reflection

And unmothered sorrowful infants wail 

Choking on their own creation. 

 

Farther below, carnal lovers seep 

Into a storm-tossed ceaseless whirlwind

Their lips chapped forever wanting heat

Their spectral halos, too heavy a burden

Ripened fruit dangles low and cheap,

They reach, they claw, they writhe with passion, 

But once obtained a sweetened peach

Turns bitter with dissatisfaction.

 

Treatch further on, grotesque and rancid,

With mouths unhinged and throats laid bare,

Hell’s third ring homes bloated faces,

Where viscous claws their skin does tear

In caverned depths of suffocating excess 

Gluttoned masks of endless wanting 

Crave the feast of festered obsess 

Feed the hound forever starving.
 

Then in the chamber, just below, 

Rapacious men drudge back and forth

Made of stone their sins they tow

The hoarders weigh desires worth

For enveloped on the barren banks 

They see no rivers, trees or sky, 

Their greedy hands no not of thanks

They took until the day they died. 

 

And the wrathful doomed to clawing, biting,

Gnash their teeth through listless rage 

Imprisoned by their constant fighting 

Violence consumes and feeds and stays

And sloth below the surface looming 

Murmuring thick through water’s tomb

Watching, waiting, sullen brooding

Resigned to steep in sullen gloom. 

 

Come now to sins of a different merit

Where harpies scream and carrion gnaw

Reserved for the willfully defiant heretics,

As they pick at their wounds in fevered awe 

And violence marks the seventh ring, 

Where a river of boiling blood flows through, 

Submerged and shot with arrows that sting

Made of wood from forests of bodies entombed.

 

The eighth, a whispering poisoned tongue

Spins silvered strands of lies as law

A winding spiral called Malebolge 

Spins frauds in webs of their own flaws

Labyrinthine, poetic justice

They’re met with suffering tailor-made

Wearing cloaks of weighted lead 

Their plight, a mocked and sorry state 

 

And at the last, the final ring, 

Where pride has scorned itself, 

The devil himself, here resides 

To pick at the fruit of sin’s regret 

Here, sits the final, silent, dark– 

No crown, no bell, no pyre’s glow, 

For pride laid claim to stone and bark

And left a garden choked below. 

 

Yet in the ground amongst the worms 

Where all our fires fold and burn, 

We see our naked fragile form,

Our sin-wrought self, our bones that yearn. 

So too, we drink of blooming rot, 

And dare not taste the truth nor learn, 

For in each sip each shadow caught

We see our own reflection burn. 

Arpeggio (2024)

​

Something about syncopated sound. About things that become more abstracted only after being witnessed or heard. As if space is sliced in slow motion with a sharpened blade and crystallized moments spew from the seam, each bead containing entire cosmos of thought. Each truth, each version of truth. Idiosyncratic beings hidden under flesh and swollen eyes, what waits under the surface, inside the cavities and recessed spaces that shadows latch onto? Something about arpeggios, I think. Arpeggios and how they relate to being-- to being a woman, and the alchemy of experiential existence. Precious morsels of time spent conceptualizing, attempting to make oneself into something. Complicitly drawing borders, defining self, when what makes us all unequivocally whole, what makes me relatable and utterly unique is my always in flux sense of becoming. Instead of a single chord played by the collective, singular pressing of all the keys at the same moment,  lived experience is an arpeggio that scales. It is when we seek to have a witness to ourselves that we feel flattened and shapeless, reductive and uninspired. Transcendence, metamorphosis, arpeggiation does not depend on a witness, it depends on the flickering of a flame, on the sway in your hips, on the movement of it all.

Though Breathlike Get Deathlike Sometimes (2020)

​

Quiet talker, father's daughter

Lips swen shut to keep the bugs out

Red-checked sheet sweet reverie

Choke on words and swallow laughter

​

Cigarette ashes, spilt molasses

Time is lost in pits of scheming

Pour a drink and sit a spell

Leaking vessels leak their secrets

​

Cherry picker, surface tension

Hollow bones create weak structures

I oblige, my gothic pride 

Turn spires into callous prisons

​

Spoiled dreams like moss on trees

Hips give way to gravity 

Red soaked sheets I'm losing sleep

The girl I once was ossifies.

​

​

Fixtures and Forces

(2020)

​

A black sheep is still a sheep 

A cube is just a box

White-washed walls persuade the artist

To hang their visions up

​

Oh look at you 

You're so creative

Give me something new

I'll take a bite and spit it out

So you don't have to chew

​

I fucking hate

The charades

The hoops we all jump through 

Give up the act, we know your play

Relieve this tired muse

​

Give me something thrilling please

Not another worn out tune

Break the matrix 

Fuck surveillance

Seek the forbidden fruit.

Smooth Surface of Idyll (2019)

​

Lullabies spoon-fed lies

Sound like sins to me

Cut my chords, sirens singing

Mute my troubled pleas

​

Idyll scenes, spoken dreams

Are rarely what they seem

Mocking birds mock our words

Loose lips sink ships at sea

​

Stories spun, swallows screaming

Symbols of deceit

Be weary of the orator who 

Speaks with tongue in cheek. 

Dew (2019)

​

Silence is concealed in sounds

Paint the walls with cracks

Leaching lies drips are dew

Break your mother’s back

​

A time ago in time unspent

She drew a sharpened spade

Laid out to rest your watchful gaze

Grew old and spoiled shades

 

Like sheets of rays in Sunday’s wake

Trapped against the wall

Carved your fate a shallow grave

You fell to feel the fall

 

Find me falling forward from it

Fatal feelings drown and draw

Heave out the hoven dig and drudge

The well that feeds us all

Fool's Gold (2018)

​

The brilliant ship observers in

A story comes around again

They bring the watchers into them

Stories can be medicine​

 

The shiny hooks the mute suspect  The stories sound makes no sense

A tongue taken in the past tense

To right the wrong to mend the sense

​​

Now mother the rendered piece

Ever forward it can’t repeat

The way has come it can be seen

The silent story their beliefs

Worthless Foam From the Mouth

(2020)

​

Like the broken neck of a bird that flew

into a window pane

The glass was cracked from thinking that 

the picture fit the frame

For once I saw a future that was not just

some reflection

Of days long gone still clinging on to

nostalgia's tempered fragments

​

Your tender ways, the long grass swayed

I felt you in each moment

Reality was crisp and bleached

of traumas past and present

Like a bird on a wire I tried to fly 

but gravity carried me down

Stillness lurked and death approached

feathers strewn across the lawn

​

I still had faith that you would come

and pick my pieces up

Silly me to think that you 

ever gave a fuck

You let the scavengers claim their parts

You let them have their way

It got me thinking, made me question

Why I always am the prey

​

Like the broken neck of a bird that flew

into a window pane

Shattered, sharp, jagged edges

keep me safe and sane.

​

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