Cigarette Butts in Holy Water
Winter (2017)
BIO
WRITINGS
Green, I drank it. Hate, it stood (2025)
I have known dread.
It was a house built of brittle hands, neurotic minds,
stacked high as if it’s looming could make it whole.
It caved inward slow as a last breath,
pressed me flat beneath the beams, wood splintered in my teeth,
a rotting cherry pit clenched in my fist.
I have known fear.
A thing that nested between the ribs,
slipped cold through the hollow of my throat.
It hummed soft as a struck match,
rose quick as a hand—
Strike, flinch, repent, but the clinging stayed.
I woke with it, I slept with it,
a hush, a shudder that creeps and preys.
And jealousy—
jealousy is green.
Scheele’s green, absinthine green,
poison poured into porcelain cups.
All the ways I'll never be enough
Seeped deep into my bloodstream as,
I drank it. I drank it.
It stained the cracks as it turned my insides new shades of verdant ruin.
And hate—oh, hate was easy.
Hate had hands, hate had abscessed teeth.
It was a dog at my heel, eager and wet-mouthed, bulging eyes, gleaming and stupid.
The repugnance of raw meat and uncontained violence— it cannot confuse itself for anything else.
It stood, it stood, it stood.
But joy? O joy—
Joy is the birth of something wet and wailing,
a thing so pink, so warm, so full of light—
until it withers in the cradle.
It sours from incessant heat like curdled milk,
it wrings itself empty and drips through the slats.
I held it once, I swear I did, but I must have choked it, clasped onto it too tightly
For it bled like a cut pear,
left nothing but the seed for next time.
And love—
a word stretched thin as lace,
passes between hands until the edges fray.
I found it once in old photographs,
Profound and ancient,
In lockets clasped,
But it peeled away in the morning light,
a mirage, a dream, a flooded fleeting thing.
~Yet dread remains where love has left,
a foundation built of hollow bone
And fear, once known, will never leave,
a damp that clings beneath the stone ~
I know it’s a shame—
to take a thing, so labyrinthine,
So dark and bare
And wrap it in your heart strings
So you have no space for air,
But to watch it consume me
In all its glory, to lay me down
and turn me out,
Climbing up and crawling through me
Sends me to a space devout,
Where I no longer
see the space between,
The borders of me, of it, of us,
I crave to dissipate, dissolve inside it,
To let it turn me into rot,
And by now, I do not fight.
I part my lips, let ruin in,
Let it press its mouth to mine,
Let it slip between my ribs,
Cast its thorns
Straight through my spine.
I bare my throat
to the hands that made me,
spread myself, an altar wide
and whisper softly in its ear,
I’ll lay down by your side.
I’ll move for you—
As puppets do
In hot ungodly ways,
Let you cast your sins on me
And use me for your play.
I’ll let you fill
My hollow husk
With venom from your fangs,
Then I’ll bite for you and kill for you
And always take the blame.
I fear the light
The shrinking blight
Because all good things must change.
Entropy, decay, and grief
Will always have their place.
~~A wall with no cracks, a facade never worn, is closer to chaos than the neighbors it scorns,
and goodness is lukewarm and light.
Fight or Flight (2024)
The wolf rose each day in a shifting skin,
A restless heart, a storm within.
With fire in his chest and embers to guide,
He hunted a truth where the unknown hides.
A restless seeker, sharp and lean,
He chased the shadows of things unseen.
But come the night, he’d sink to the ground,
A beast too weary to utter a sound.
Owl sat watching from her guarded perch,
Her feathers heavy with quiet concern.
She saw every fractured shade of him,
His howling fury, his courage dimmed.
Not echoes, reflections, or a hollow trace,
But multitudes within his face.
She circled low, her wings drawn wide,
And landed softly at his side.
The wolf turned, startled, his hackles raised—
But the owl only stared with her amber gaze.
“Your rage, your silence—I see them all.
I’m here for the climb, I’ll break your fall.”
And the wolf, for once, let his breath unbind,
Her voice a song to his restless mind.
Yet the fire within him began to stir—
A voice of fear, of losing her.
For trust to him was a perilous thing,
A chain, a trap, a dangerous string.
“I’ve seen the trap of a steady hand,”
He growled to her, “I can’t withstand,
The weight of care, the risk of grace—
It poses a burden I cannot take.”
But the owl replied with a quiet tongue,
“My wings are strong; I fear it none”
“I see you, Wolf, in the boughs and brambles,
In the fear that tangles, the flame that gambles.
I know the cost of a love this wide,
But my perch will hold, I will not hide.”
The wolf turned away, his heart a stone,
And muttered, “Some paths are better alone.”
But Owl, though hollowed, did not take flight—
She stayed through the dark of his longest night.
Through the storms, through the frost, through his silent reserve,
Through the weight of his conscience that hid him from her.
Yet one dawn, as her feathers caught sun,
She found his shadow—and he was gone.
“Why flee from grace?” she called to the wind,
“Why leave the love I kept you in?”
But far on the ridge, the wolf had run,
Afraid of the pain that love had spun.
For the second she saw him, full and whole,
It scared the hell from his fragile soul.
And now, the owl perches alone in the pine,
Her wings folded tight, her talons entwined.
She still sees the wolf in the bend of the trees,
In the haunting sigh of the midnight breeze.
She saw him fully, the day he was born—
And though he is gone, she continues to mourn.
For love like hers does not dissolve;
It lingers, it burns, it aches, it evolves.
And somewhere the wolf runs far and wide
But the owl remains with its feathers drawn tight.
Not because she cannot move on,
But because she vowed to always hold strong.
And Owl with her amber eyes aflame,
Scribed stars for the land that the wild beast tamed.
—-
Origin Storie (2024)
Sour fruit sloughed off the stem,
My womb turns water into wine,
my sepia-toned tongue spin
Delirium-twisted vines
Labyrinthine tunnels braiding inward,
Sacred//soul, barred thorny with spines
I recline on a muddy, mica-colored ground
That suspends my heavy body, above.
I shed my mantle, I am unbound.
I find meaning in the madness,
I caress the unknown, I find elemental stone
Apply pressure and time,
//Thwarted desires//
Discipline yields diamonds in mines.
I am refined. I am the divine.
I spin gold from stories sung,
prick my finger and die.
I get lost in the undertow, I lose meaning
And at once,
I’m back to the drawling board.
Channeled words spew out of me,
Sirens sing songs of renewal and death to me.
Young and old all at once,
I dance with uncertainty,
I flail ‘till I cannot breathe,
I trip and I fall down a rabbit hole of make-believe.
I am a waltz with ecstasy, I break bread with the deities,
Visions of Joanna, star-struck chords in the Pleiades.
Time moves both ways.
I caress liminal space with my breadth.
I am suspended in the in-between.
I’ve lost all of my baby teeth.
I am the divine// I am undefined// serpentine-mind,
Three furies in one,
Mutinous, Eumenides.
Scheele’s Green (2024)
He spoke to me in tender tones
Still as stone, he filled my lungs
Molasses dripped from rounded vowels that
Curled off from his tongue
He took off with the love he lent me
Restless airborne thing,
His eyes were brown, his eyes were blue
He was never meant to keep
Leaden feet, sour fruit sinks,
My mind feels sickened from blooming
Torn from the stem my form descends
To spaces dark and looming
Run, rabbit, run…
Into the sweeping triptych landscapes,
Facing towards the south
Where air stale as the dead moss hangs
Feels heavy in your mouth
Lawless steps through choking bog,
The rushes sliced my shins
I crawled inside the dead live oaks that
Condemned me from within
Where brackish water stings the wounds
From all the tallow that was shaved
Sourced off the bone, marrow-plucked
To keep the shapeless flame
The hounds are loose to sniff me out,
From dolores vines that creep,
Wasteland gothic paradise for those
In endless sleep
A fever dream,
A dampening,
A pollen-covered land,
A sickened-struck madness
That seeps into the heart of man
I tried to run as far from it
As my heavy feet could cast,
But caged through metal teeth
My ankle tendons kept me clasped
Gorged on flesh from sockets slumping
My home here now consumes me,
My riddled-mind became the vines that
Haunt and braid above me
More beautiful than I ever felt
In my hollow husk-like body,
My monomyth memorialized
In all its unbound glory.
The Shadow’s Elegy (2025)
A shadow does not ask for a name.
It is not bound to the body, though it blooms from its edges.
It is the ache of what moves without being moved,
a soft rebellion against definition—
the unlit whisper that holds more truth
than the mouth that casts it.
To see an object is to conquer it.
To name it is to cleave its mystery,
reduce it to the tyranny of knowing.
But a shadow resists the net of your gaze.
It slips through fingers like sand,
like the memory of a hand once held,
gone before it could settle.
A house tries to be haunted;
a shadow is.
It does not adorn itself in artifice.
It bends with a grace the object cannot,
folding into the arms of the unseen,
its edges dissolving where light insists.
What is defined is instantly abandoned.
A place, an object, a feeling—
flattened by the weight of their own naming.
But the shadow remains
a hymn to what cannot be held,
a doorway left ajar for the infinite.
It moves not in spite of light,
but because of it.
An exquisitely quiet ghost,
it lingers only where the known cannot tread.
The beauty of a shadow is not in its being,
but in its refusal to become.
Cavity (2023)
​
He wanted to avoid the gnats,
The kind that swarm around your mouth when you’re outside, walking, in the heavy air.
Fruit flies, or ones of that sort, that hover over too ripe, ripped from the vine, pomegranates in decay.
Open your mouth.
I wanted him to take me on. To take me in, to swallow me whole like the little-winged creatures that incessantly chip away at your patience.
I wasn’t wanting, I was wavering.
I so quickly shed my skin for fragile wings to seep inside something sweet. To get lost in someone else’s labyrinthine, cherry-pitted madness. And when his lips stayed clasped, I resorted to the space around. Trying to clutch on to fragments that were never there.
You know, moths find homes in the strangest of places, but mostly in nostalgic crevices, like metaphors of staleness that still have feelings clinging on, taking ahold.
I am not a pest.
I do not need to be invited in through pursed lips, clenched jaws. I do not need to resort to respite in vacant spaces. I am not the gnat, the fly, or the moth. And although tempting, perhaps I am not the venomous spider either. Fangs that seep in and let blood are not prerequisites for divinity.
What resembles a woman that no longer needs control, revenge, or solace, or even a witness to transcendence?
Picture this, recite this:
I am the cavity all seek solace in. I am after all, a womb made of flesh and blood, leaded with mercury and stardust. I create infinities fractaling out in multitudes while moments creep on in arbitrary parcels. I crawl up and through space, I rotten the fruit and drink its wine. I am what lends decay to turnover and rebirth. I carve, I weather, I rot, I ride. I am the void. I am the space between. The ever-changing, always constant, casting net. I am time. The equable, the inaudible, the subtle.i am a witness unto myself and that is all, that is everything.
Carnal (2020)​
​
Who am I, Darling
to deny you of your thrills
my baby teeth can't tear the meat
from the bones of the prey that you kill.
Lead the lambs to slaughter
kill the calf that cries
aubergine curdled blood
attracts the hungry fly.
Madonna (2020)
​​
Southern charm of
an angry white man
ego fat and buttered.
His pain is unfelt and
attention is held
at the fingertips of his own
mother.
Seven Demons Driven Out
(2020)
​
Residing in Plato's Cave
Indifference is a game we play
Judgement Day at Heaven's gate
Tugging on the strings of fate
Vision is a blessed sin
We break our bread and feed
The snake
Good old Mary Magdalene
Smiled wryly as she came.
The Descent (2024)
In a shadowed land of unknown depths
A winding river some call home
Carries the scent of Persephone’s quest
Of faded flowers and marrowed bones
Her fingers drudge the silted black
Of petals rot, of flesh gone pale;
All death comes here to reside,
Caged beneath a shrouded veil.
Interscene- An endless shore appears
No sin but breadth without salvation
Timelessness echoes their pitting fears
As they wait for eternity in damnation
Narcissus sees his selfishness cast
In the black vastness of his own reflection
And unmothered sorrowful infants wail
Choking on their own creation.
Farther below, carnal lovers seep
Into a storm-tossed ceaseless whirlwind
Their lips chapped forever wanting heat
Their spectral halos, too heavy a burden
Ripened fruit dangles low and cheap,
They reach, they claw, they writhe with passion,
But once obtained a sweetened peach
Turns bitter with dissatisfaction.
Treatch further on, grotesque and rancid,
With mouths unhinged and throats laid bare,
Hell’s third ring homes bloated faces,
Where viscous claws their skin does tear
In caverned depths of suffocating excess
Gluttoned masks of endless wanting
Crave the feast of festered obsess
Feed the hound forever starving.
Then in the chamber, just below,
Rapacious men drudge back and forth
Made of stone their sins they tow
The hoarders weigh desires worth
For enveloped on the barren banks
They see no rivers, trees or sky,
Their greedy hands no not of thanks
They took until the day they died.
And the wrathful doomed to clawing, biting,
Gnash their teeth through listless rage
Imprisoned by their constant fighting
Violence consumes and feeds and stays
And sloth below the surface looming
Murmuring thick through water’s tomb
Watching, waiting, sullen brooding
Resigned to steep in sullen gloom.
Come now to sins of a different merit
Where harpies scream and carrion gnaw
Reserved for the willfully defiant heretics,
As they pick at their wounds in fevered awe
And violence marks the seventh ring,
Where a river of boiling blood flows through,
Submerged and shot with arrows that sting
Made of wood from forests of bodies entombed.
The eighth, a whispering poisoned tongue
Spins silvered strands of lies as law
A winding spiral called Malebolge
Spins frauds in webs of their own flaws
Labyrinthine, poetic justice
They’re met with suffering tailor-made
Wearing cloaks of weighted lead
Their plight, a mocked and sorry state
And at the last, the final ring,
Where pride has scorned itself,
The devil himself, here resides
To pick at the fruit of sin’s regret
Here, sits the final, silent, dark–
No crown, no bell, no pyre’s glow,
For pride laid claim to stone and bark
And left a garden choked below.
Yet in the ground amongst the worms
Where all our fires fold and burn,
We see our naked fragile form,
Our sin-wrought self, our bones that yearn.
So too, we drink of blooming rot,
And dare not taste the truth nor learn,
For in each sip each shadow caught
We see our own reflection burn.
Arpeggio (2024)
​
Something about syncopated sound. About things that become more abstracted only after being witnessed or heard. As if space is sliced in slow motion with a sharpened blade and crystallized moments spew from the seam, each bead containing entire cosmos of thought. Each truth, each version of truth. Idiosyncratic beings hidden under flesh and swollen eyes, what waits under the surface, inside the cavities and recessed spaces that shadows latch onto? Something about arpeggios, I think. Arpeggios and how they relate to being-- to being a woman, and the alchemy of experiential existence. Precious morsels of time spent conceptualizing, attempting to make oneself into something. Complicitly drawing borders, defining self, when what makes us all unequivocally whole, what makes me relatable and utterly unique is my always in flux sense of becoming. Instead of a single chord played by the collective, singular pressing of all the keys at the same moment, lived experience is an arpeggio that scales. It is when we seek to have a witness to ourselves that we feel flattened and shapeless, reductive and uninspired. Transcendence, metamorphosis, arpeggiation does not depend on a witness, it depends on the flickering of a flame, on the sway in your hips, on the movement of it all.
Though Breathlike Get Deathlike Sometimes (2020)
​
Quiet talker, father's daughter
Lips swen shut to keep the bugs out
Red-checked sheet sweet reverie
Choke on words and swallow laughter
​
Cigarette ashes, spilt molasses
Time is lost in pits of scheming
Pour a drink and sit a spell
Leaking vessels leak their secrets
​
Cherry picker, surface tension
Hollow bones create weak structures
I oblige, my gothic pride
Turn spires into callous prisons
​
Spoiled dreams like moss on trees
Hips give way to gravity
Red soaked sheets I'm losing sleep
The girl I once was ossifies.
​
​
Fixtures and Forces
(2020)
​
A black sheep is still a sheep
A cube is just a box
White-washed walls persuade the artist
To hang their visions up
​
Oh look at you
You're so creative
Give me something new
I'll take a bite and spit it out
So you don't have to chew
​
I fucking hate
The charades
The hoops we all jump through
Give up the act, we know your play
Relieve this tired muse
​
Give me something thrilling please
Not another worn out tune
Break the matrix
Fuck surveillance
Seek the forbidden fruit.
Smooth Surface of Idyll (2019)
​
Lullabies spoon-fed lies
Sound like sins to me
Cut my chords, sirens singing
Mute my troubled pleas
​
Idyll scenes, spoken dreams
Are rarely what they seem
Mocking birds mock our words
Loose lips sink ships at sea
​
Stories spun, swallows screaming
Symbols of deceit
Be weary of the orator who
Speaks with tongue in cheek.
Dew (2019)
​
Silence is concealed in sounds
Paint the walls with cracks
Leaching lies drips are dew
Break your mother’s back
​
A time ago in time unspent
She drew a sharpened spade
Laid out to rest your watchful gaze
Grew old and spoiled shades
Like sheets of rays in Sunday’s wake
Trapped against the wall
Carved your fate a shallow grave
You fell to feel the fall
Find me falling forward from it
Fatal feelings drown and draw
Heave out the hoven dig and drudge
The well that feeds us all
Fool's Gold (2018)
​
The brilliant ship observers in
A story comes around again
They bring the watchers into them
Stories can be medicine​
The shiny hooks the mute suspect The stories sound makes no sense
A tongue taken in the past tense
To right the wrong to mend the sense
​​
Now mother the rendered piece
Ever forward it can’t repeat
The way has come it can be seen
The silent story their beliefs
Worthless Foam From the Mouth
(2020)
​
Like the broken neck of a bird that flew
into a window pane
The glass was cracked from thinking that
the picture fit the frame
For once I saw a future that was not just
some reflection
Of days long gone still clinging on to
nostalgia's tempered fragments
​
Your tender ways, the long grass swayed
I felt you in each moment
Reality was crisp and bleached
of traumas past and present
Like a bird on a wire I tried to fly
but gravity carried me down
Stillness lurked and death approached
feathers strewn across the lawn
​
I still had faith that you would come
and pick my pieces up
Silly me to think that you
ever gave a fuck
You let the scavengers claim their parts
You let them have their way
It got me thinking, made me question
Why I always am the prey
​
Like the broken neck of a bird that flew
into a window pane
Shattered, sharp, jagged edges
keep me safe and sane.
​
​
